You may have heard that the Souls franchise is hard. You may have even heard that it can make you into some sort of bizarre double-man. The director and supervisor of the series often talked about his desire to use difficulty to facilitate a sense of achievement (as opposed to collecting cheevos). I often hear gamers wearing the Souls series like a suit of armor, as though it were proof of their gaming prowess, and staunchly defending it from any attempts to improve “accessibility,” a word that seems to translate as “easier.” In fact, there was quite the kerfuffle back in 2012 when the internet suspected director Hidetaka Miyazaki of wanting to make an easy mode for Dark Souls 2, a comment that was speedily retracted. And in true PR form, Namco Bandai assured everyone in 2013 that the sequel would be “viciously hard.”
So isn’t it funny that just last month, the video series Extra Credits put out a video detailing how the true genius of Dark Souls 2 is… its easy mode! The producers detail out exactly how to make Dark Souls 2 a much easier experience, and go to great lengths to convince everyone why that’s such a great thing. It’s actually the sort of thing that EpicNameBro spoke out against during the 2012 controversy: he argued that having the option to lessen the difficulty robs the game of its tension and sense of achievement. Now, I disagree with Extra Credits (as I often do), but they’re definitely correct that Dark Souls 2 has what amounts to a “soft” easy mode, and that’s probably the reason why it slipped by so many gamers including EpicNameBro. But I think the important question here isn’t how hard the game is or isn’t. The important question is what kind of difficulty the game has.
In other words, what does it mean to be a truly “hard” game? Continue reading
When I browse around gaming forums and subreddits, I see a lot of people asking the same question:
“What are other games like _______?”
It’s a fair question, and it makes sense. People are generally aware of their own tastes, for the most part. However, without an understanding of why they like what they like, people have to instead make comparisons and just hope that’s good enough. People might call Borderlands a mashup of Diablo and Call of Duty. Unturned might be called a mashup of DayZ and Minecraft. But is the actual experience of playing any of those games really similar to the games they come from? Do you play Call of Duty for the same reasons you play Borderlands? What exactly does Unturned have to do with Minecraft? You could really go wrong making recommendations based on visual elements or theme when the primary driver of the experience is the rules of play. What you can and can’t do, what you’re asked to do, and how you decide to do those things are what shape the actual player experience much more than theming alone. With that in mind, I want to talk to you about a game where what you do is actually unlike anything else I’ve ever played – Auro: A Monster-Bumping Adventure by Dinofarm Games. Continue reading
In part one of this article, A Brief History of Leveling Systems, I talked about the problems that video games have had in implementing the D&D leveling system. While it may seem to have made sense to turn RPGs into video games, designers didn’t consider how different a social tabletop game and a single-player video game truly are. The game systems designers ended up making were clumsy and shallow, and they unwittingly paved the way for the skinner box apps of today. Rather than designing sophisticated game systems, designers accidentally got sidetracked by what seemed to work on audiences and thus sold many copies. The ultra-monetization of games has brought with it the need to continually produce commercially successful games regardless of the content, and it has probably done more harm to the art than good. It has certainly skewed our understanding of design as well as our priorities as developers. I certainly noticed a strangely happy vibe from the author of the Puzzle & Dragons breakdown.
That’s not to say that leveling systems should never be included in a video game. Indeed, computers are far more efficient at running complicated, number-based game systems than a human with paper and pencil could ever be. It does mean, however, that the game system needs to change in order to accommodate its new medium. If we take some time to really understand these game systems, we can make games that leverage our favorite genre tropes effectively while maintaining the integrity of the core game. In fact some games have even taken those first steps, though they are rarely given credit for their vision. Continue reading